Portfolio

Julius Nordentoft Andersen

Curriculum Vitae

Julius Nordentoft Andersen

+45 28 60 01 04

julnorand@gmail.com

Copenhagen S

Education

2023–2027

Textile Design, Craft and Communication
University College Copenhagen (Extended Bachelor’s degree)

2023–2027

Student Council member – Textile Design Programme
University College Copenhagen

2017–2020

High School Diploma
Aarhus Statsgymnasium STX

Courses

2023

Design School, Tekstilskolen i Holte

2021

Fashion and Design, Krabbesholm Højskole

Relavant Experience

2025

Internship
Artikel København

2024

Fashion show facilitation
University College Copenhagen

2023

Dresser
Kernemilk at CPHFW

2023

Fashion show facilitation
Textilskolen

2021

Assistant and Dresser
Fashionshow at Krabbesholm højskole

2020

Photography Assistant
Jakob & Weiland Advertisements

Julius

A Modern Armor

Focuspoints: Inspiration/moodboard, concept and craftmanship

This dress is designed to evoke a sense of unwavering confidence and timeless elegance. The back features a dragon scale-like smocking pattern that adds depth, while the sharp shoulders highlight the strength and structure of armor. Made from 100% wool with an emphasis on craftsmanship and graphic tailoring.

Moodboard / Inspiration
Technical drawing
”Scale” dress from behind
Shoulder detail
Back embroidery - shadow foldings
Sleeve finish

Design for Simplicity

Fokuspoints: Concept design and design process

The set consists of a simple kimono-style shirt and a fully lined vest. The concept is inspired by the recognizability, symbolism, and qualities of the hand. The shapes of both garments are based on a form study I conducted using a small figure and a hand-shaped template. I kept the design style, materials, colors, and sewing techniques as simple as possible, resulting in a concept of my hand gently wrapping around the wearer’s body, using only cotton.

Moodboard / Inspiration
Color analysis
Technical drawing
Designprocess

The shirt features a kimono-style closure and a graphic print of my own fingerprint. In addition to the shirt, I created a vest shaped like a hand embracing the wearer — the hand that leaves the fingerprint behind.

Pattern iterations
Result of pattern process
Pattern development for the Vest
Technical details of the vest
Vest and shirt
Vest pocket, open
Open shirt
Closed shirt

Garments of the forest

Focuspoint: Concept process

The set was created for a fashion show at the Textile School in Holte. The concept explores the forest’s decay and rebirth through the changing seasons. The jacket is covered with hand-sewn moss, kept alive with water, and fresh leaves that naturally decayed over time.

The set as shown at the fashion show
The set from behind
The shirts sewn-on moss
The pants sewn-on leaves

A Surreal Shirt

Focuspoints: Concept development and theme, design process, and craftsmanship

Shirt with the theme “Deconstruction,” designed to appear as two layers, with the outer layer melting like plastic under high heat.

Moodboard / Inspiration
Flat sketch
Sketching, collage
Sketching, draping
Skitsering frottage
Sleeve details
Beads and hole in the collar
Front
Cuff
Cuff
Hidden button placket
Back

Blossoming Spring

Focuspoint: craftmanship

A spring jacket made from upholstery fabric, with lining, collar, zipper, welt pocket, and side seam pockets.

Double welted inner pocket
Pocket in the sideseam
Jacket laying flat
Front

Bag From Upcycled Jeans

Focuspoints: Design and upcycling

Right side out
Wrong side out

From Thrift To Couture

Focuspoint: Conceptualizing

The set is created from two discarded jackets. The top is inspired by the beautiful shape of the Luna moth. The shorts are made by deconstructing a jacket and reassembling it as a patchwork fabric.

Inspiration
Starting point
Sketches
Drapings
Final product with ”spread wings”
Individual styles
Product on model, in context

The Shapes of the City In a Gala Dress

Focuspoint: Designprocess

I based the design on the architectural forms around me. The shape is inspired by an arch in a staircase, which ultimately evolved into an organic “spiral dress.”

Source
Shaping/sketching
Sketching with used wash cloth
Pattern/shaping sketch
Sketch

The dress is made from an upcycled sleeping bag, purchased from a thrift store.
It is then painted white to create the effect of brushstrokes.

Sketch of dress on a body
Process
Final Product

Sculptural bag

Focuspoint: Conceptualizing

This bag is made from wool felt insulation pieces from speakers. The felt is pressed and steamed over ceramic faces, taking shape from them.

The felt after being steamed over the ceramic face
The felt faces is applied on top of the pattern for the bag
Final product

A Woolen Jacket

Focuspoints: Design, pattern construction and craftmanship

In creating this furry wool and alpaca jacket, I aimed to let the materials speak for themselves — allowing the senses to rest, while subtle details guide the eye through the intricacies of the design.

Moodboard / Inspiration
Technical drawing
Extract of sketches during the design process
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Gallery 6
Gallery 1 Gallery 2 Gallery 3 Gallery 4 Gallery 5 Gallery 6